Posts Tagged ‘Kassandra and the Wolf’

This week at Clockroot: Two readings by Ersi Sotiropoulos and Karen Emmerich, and one art opening

Sunday, February 7th, 2010

Please join us!

On Tuesday, February 9th, Ersi Sotiropoulos will read from Landscape with Dog and Other Stories with translator Karen Emmerich, at the Gallatin School at NYU. The reading is at 6, reception and signing at 7. For more information and location, see here.

On Thursday, February 11th, Book Culture and Columbia University’s Hellenic studies program will host a reading and discussion with Karen, Ersi, and professor Karen Van Dyck, celebrating Clockroot’s three new translations from the Greek: Landscape with Dog, and Margarita Karapanou’s Rien ne va plus and Kassandra and the Wolf. 6:30 pm, at 536 West 112th St (between Broadway & Amsterdam), NYC—see here.

And up in our neck of the woods, artist Ihrie Means—whose fantastic paintings are the cover art for Kassandra and the Wolf and Rien ne va plus—has an opening at the Cummington Community House, Saturday, February 13, 6 to 9 pm.

Margarita Karapanou at the Critical Flame

Wednesday, January 13th, 2010

The January issue of the exciting new review venue Critical Flame brings George Fragopoulos’s fascinating essay on Margarita Karapanou, considering Kassandra and the Wolf, Rien ne va plus, and (forthcoming next fall from Clockroot!) The Sleepwalker.

Karapanou’s work then gives the impression of being constantly in motion, an active critique, perhaps, of Nietzsche’s claim that we need to read slower. When reading Karapanou one cannot read quickly enough. There is a velocity to her texts, both in the obvious sense of their structure and pacing as well as a visceral sense akin to vertigo. They seem always to be spinning wildly and recklessly towards unknown destinations (often that destination is death) or, rather, they seem to emphatically evade any firm lodging or easy comfort. Rien ne va Plus is a prime example, a novel that asks us, after a certain point, to return to its beginning and to question everything we have just read. Karapanou knew, as Deleuze did, that flight was by no means a passive activity, but rather the complete antithesis of passivity; that, in the wake of escaping, art could follow.

Read the full here